Afternoon Snack: Simple Minds, “Waterfront”

Simple Minds are a band I discovered via word of mouth. I had never heard anything of theirs for some reason (this was some time before Don’t You Forget About Me was a hit) so I bought the album, Sparkles in the Rain which is competent enough, however, this song, Waterfront, just cranks.

I remember when I was first learning to play guitar, and my friend Alan Freedman (a tremendous musician and bass player) asked me to pick out some stuff I wanted to play in a small band setting, and Waterfront was one of my requests.

Alan listened to it once, said it was a great song, and then said I would never be able to play it.

I now understand he did not mean ever, but surely vamping on a D sus4 as an A barre chord for five minutes was much too abstract for my simple band of beginners to even try to approach.

In fact, now I actually can play the guitar and bass parts (well, that is not saying much, though the time of the bass player is dead on throughout and since he plays the same riff for five minutes, that is no simple task from Simple Minds) and could probably hold my own, but I completely understand how Alan meant that it takes some musical sophistication to play something so simple effectively.

This is the Minds a year ago, and they blast it out pretty well 25-years after the release of the album.

Speaking of which, lead singer, Jim Kerr, was married to Pretenders head Chrissie Hynde, and her song, 2000 Miles features the line “sparkles, in the rain” so I always wondered who lifted the line from whom, or it was just fortuitous?

Irrespective, we need to give Ms. Hynde some virtual ink here, but for now, here are the Minds. Tell me if this song does not rock the shit out of your speakers?

Lohse Gets Bombed: Arctic Monkeys

I had my 12-year-old for the Easter weekend and she turned me on to this song by Arctic Monkeys. I’ve read good things about them in the past, but never dived/dove/deeved in.

This song is so Queensy it’s ridiculous. Did they copy? QOTSA started in 1996, AM started in 2002. You tell me.

Yet whereas (Jack White thinks and I agree), the Black Keys copied the White Stripes and Jack White hates them for it, I’m pretty sure king Queen Josh Homme is good friends with the Monkeys.

In any case, I’m so desperate for good music I don’t already know right now, I’m gonna give it a try. Mary Lou played two other songs for me – one was equally Queensy and the other was T. Rex. (Did you know Marc Bolan was only copied by about a trillion bands and isn’t within 10 football fields of the Rock ‘n’ Roll Hall of Fame? If I’ve said that a trillion times before, please get used to it.)

Evan “Snake” Davies’ The Metal District, on WFMU!

TheLondonQuireboysI woke up today to a reminder that I hadn’t listened to Evan Davies’ show on WFMU last Wednesday night. It turns out that on April Fools Day Evan had a show dedicated to metal, the musical style that brought much crunching pulchritude to MTV, and lots of musical derision. All of it earned.

But listening to the show today I was reminded just how catchy some of these tunes were, which is why they were on MTV in the first place. You can see the playlist here, and sample the show or listen straight through.

But I wanted to highlight a few tunes I’d never heard before, or was too wasted to remember.

Song of the Week – I Am Constant, Climax Blues Band

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It can’t be denied that the Climax Blues Band was basically a “one hit wonder” with their #3 “Couldn’t Get It Right” in 1977. I know, they had another “hit” that reached #12 in 1981, but I don’t even know how “I Love You” goes.

But this limited chart success belies how good this band really was. I always enjoyed the two albums that preceded their hit – FM Live (1974) and Stamp Album (1975). FM Live was taped from a concert that was broadcast live on WNEW in New York, the first FM station I listened to as a teenager. In fact, the album cover shows a receiver tuned to 102.7, NEW’s frequency.

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There are live versions all over YouTube so I’ll share the version of “I Am Constant” from Stamp Album.

By the time this album came out, the British band had moved on from their bluesy roots (though they kept the reference in their name) and was performing songs more like their contemporaries, The Doobie Brothers and Ozark Mountain Daredevils.

“I Am Constant” relies on steady shuffle beat, tight harmonies and a nicely placed sax solo. The lyrics are a straightforward statement of loyalty and integrity.

Enjoy… until next week.

John Phillips, “Oh Virginia” Meet the Stones’ “Sweet Virginia”

So, Mamas and Pappas talk. Things were great for a while, but did not end well.

In the interim, there is this album, called Pay Pack and Follow, which is basically the Stones lending their talents as a backup band to yet another dubious (but talented) character.

A little bit earlier the Stones recorded their own song about Virginia, though they may not be singing about the state. You be the judge.

Good Hard Shit

People ask me: hey Gene, how come you never play anything nice, and easy? But there’s just one thing: we never, ever, do nothing nice, and easy. We always do everything nice, and rough. But we’re gonna take the beginning of this song and do it…rough. Then we’re gonna do the end rough. Yeah, that’s the way we do Think, It Ain’t Illegal Yet.

The Lovin’ Spoonful, “Do You Believe in Magic”

The first album I owned was the Lovin’ Spoonful’s first greatest hits album, so I’m captive. And I was a kid.

But what I’ve learned since, is that this was a tight band with pop ambitions but not a little bit of soul.

Excuse my golden oldie. Too good to be forgotten: https://youtu.be/R8ifTS5NEsI

Rolling Stones, “Wild Horses (acoustic)”

The Stones are releasing a deluxe version of Sticky Fingers in May, which includes this acoustic version of Wild Horses. Nice enough, but I couldn’t get over the thought that Jagger sounds like he’s got a head cold.

I went back to the original, because my thought was that it was pretty acoustic itself, and it is, except for some electric guitar flourishes from Keith. Plus the album version has healthy harmonies on the chorus. Both of which enrich the song a lot.

One funny bit of trivia from Wikipedia. The song was recorded at Muscle Shoals and even though Ian Stewart was present, the piano part was played by Jim Dickinson. It seems that Stew didn’t like to play minor chords!

One other item of note. Many are reporting that this reissue of Sticky Fingers commemorates the 50th anniversary of the album’s release. Nope. The album came out April 23, 1971, forty four years ago this month. Math.