Ran into this during my current outlaw country bender. (It’s a Billy Joe Shaver song, by the way.)
1) Willie Nelson singing two beats behind the vocal melody, like only Willie can.
2) Bro country cameo by Toby Keith.
3) Joe Walsh spewing more rock ‘n’ roll in 20 seconds than The Eagles could muster in 50 years.
I’ll give you that the atmosphere is the polar opposite of outlaw country.
The authentic 60s-ness and some of the corny that goes with it is well worth whatever recorded music is being passed off as live here.
Very early “chick in the band purely as eye candy” pioneering here too.
I’m not much of a Clapton fan. As a matter of fact, anything he did in the past 25 years I likely don’t know.
But there’s a new Showtime doc on Clapton that you guys are bound to run into pretty soon. I stumbled into it and was interested enough to stick with it from about Cream through the middle of Clapton horndogging after George Harrison’s wife. Switched to the local news then, but I recorded it to watch the rest of what I want to later.
Anyway, Clapton went to see the Allmans. which led to the recording of Layla, of course. What struck me was a quote from Duane Allman saying something like, “I played the Gibson all the way through and he played the Fender all the way through.”
The movie then plays the Allman Layla guitar track naked and I never realized how much that gritty Gibson undertune contributes to the greatness of the song.
Forgive me if this is common knowledge to the Dave Marshers. I point it out because the Dave Marshers usually point out stuff like lyrics and jazz.
I’ve always been a Gibson man.
Wish I had the naked Allman track, but the best I can do is the whole song. Hopefully you can pick out the Gibson base guitar part (not bass guitar part). Watch the movie.
Is there a hotter true rock band these days than Greta and her young (Van) Fleet? These guys are gonna be BIG if they’re not already. Almost saw them months ago in some little club in Lancaster for like $15 but by the time I found someone to go, tix were like $150.
Heard this recently and like it pretty good. A little like if prime Zep covered the Genie.
An old friend of mine and I spent about an hour of the Super Bowl talking about the old AFL, sparked by an impromptu contest of could we name all the original AFL teams as well as a player on each.
Today he sent me this. Quincy Jones doesn’t like it:
Here’s one that’s definitely grown on me over the years. The noisy guitary chorus with the Keith Moon drums doesn’t feel right at first and takes some time to get used to. But what the hell. . .
This entertains me way more than it has any right to:
When we did our Top 50 albums of all-time a couple years ago, I’m sure this was on my list. Drove around to it today, reinforcing its greatness.
ZZ Top is sort of like AC/DC in that the early stuff (pre-MTV beards, spinning fuzzy guitars and electronic drums) is so superior to the just passable later stuff. The good/mediocre dividing line for AC/DC is Bon Scott.
Tres Hombres as a unit proves a fine example of the abomination of playlist shuffle.
Here’s an underrated classic. Try driving around to this and not drumming the steering wheel. Peter talks about swing a lot and this song has it.
There’s a lot of Springsteen love on this site and I figured this might be something them lovers ain’t heard, since Bruce didn’t let Kevin Rowland include this on his album of covers (that infamous album with Rowland in crazy drag) due to Rowland’s lyrical changes.
Found this while searching for Janis Joplin at Hellacopters gigs.
My apologies to all the other Remnants for not commenting (posts have been extra interesting and comment-worthy lately), but my comment tool is broke – no kidding – and Peter is working hard to fix it.