Charles Pierce said this was essential to understand last night’s Republican debate.
Yes. But this is also rock ‘n’ roll long before that term was in play. Plus, I laughed out loud.
Charles Pierce said this was essential to understand last night’s Republican debate.
Yes. But this is also rock ‘n’ roll long before that term was in play. Plus, I laughed out loud.
Dan Hicks might not be as well known as some of the rock mainstays who have left us the past few months, but never-the-less, Hicks, leader of the seminal Bay Area Gypsy Jazz/Rock-a-Billy/Jug Band/Folk troupe, “Dan Hicks and his Hot Licks,” passed away February 6 from Cancer.
Hicks’ band involved a country swing core (violins) along with guitar, bass, and three vocals–Hicks and two women singers–but he certainly was a wordsmith, as well as a man who carried his bay area sensibilities to heart.
I remember in 1973, seeing the Kinks at Winterland, with Hicks and Licks playing second on the bill. His band turned in a great set, but Hicks spent a few moments sort of happily sneering at the crowd that he knew the audience really couldn’t wait to “see the motherfucking Kinks” (who were on tour supporting Everybody’s In Showbiz). Still, the band (both in fact) were great.
I Scare Myself, might well be Hicks best known tune, and this great clip features Hicks on his 60th birthday, playing the Warfield in The City, with virtually all the musicians who had graced his band at one time or another.
But, my favorite was the uber-clever, How Can I Miss You (When You Won’t Go Away).
One less funny irreverent musician on the planet.
I recently initiated my own hashtag: #iambecomingabesimpson.
Mind you, it is not that I desire to become the sometimes senile, emotionally bankrupt, confused denture wearing sire of Homer Jay Simpson, it is just that I am getting old.
My next birthday, my family will be able to sing When I’m 64 to me, and while it is true I am aging, I am trying to adapt.
I do have an IPhone 6, and I score my golf on it, do my banking, retrieve my boarding passes, text a lot, do Twitter (@lawrmichaels in case you are interested) but in some ways I am not so much resisting aspects of the future and technology that have already run amok it seems. It is more, I am just not interested.
For example, I have an MFA in literature with a specialty in 19th Century British authors. That means I know a lot of George Eliot, Charles Dickens, the Brontes, and for sure Jane Austen.
So, when Pride and Prejudice and Zombies was released last week, all I can do is shake my head, cupped in both hands, and wonder why the fuck someone would even try such a thing let alone how it could possibly be any good? (And, if they were thinking, they might have considered Austen’s first novel, Northanger Abbey, which holds literary vehicles from the Gothic novel, in that there are castles and mysterious hallways and personages, all perfect for bloodsucking.)
More to the point: How did we seem to run out of story ideas?
But, I digress.
I do have this IPhone, but Lindsay (and her sister Kelly) always give me gentle shit because I have 116,000 un-deleted emails (my baseball mates here on the site will probably attest to the amount of stupid industry spam and such we get), or I cannot figure out how to turn the horizontal view on the phone off.
But, Lindsay is my music mate in the family, and she has been on me to to get Spotify for over a year now, and this last Saturday, I kind of relented. That is, I downloaded the app, made an initial favorites list (The Who, The Kinks, Mick Ronson, Richard Thompson, Yo La Tengo, and Wilco) and streamed on my way to the golf course. Mind you, no money has exchanged hands as of yet, for I get the free service, with commercials.
My conundrum is I am not sure just how much to commit to Spotify.
For one thing, I really like listening to the radio. I love two stations–KTKE, and KEXP–both off the wall independent ones just like I love listening to baseball on the radio. It is something I grew up doing, and somehow the commercials (I can so hear Vin Scully talking up “Farmer John’s sausages”) don’t bother a lick within those contexts.
Another thing, though, is I started buying albums in 1963 (Surfin’ USA) and did so until the 70’s when 8-track, and cassettes burst onto the scene. In the end, though, the tapes were not reliable, so most of the stuff I bought on tape I wound up repurchasing on vinyl.
And, then came CDs, meaning now 25 years into their existence I have about 800 albums and 800 CDs, and probably 15% I cross own. For example, I think of the Beatles White Album.
I bought that on regular vinyl when it came out, and then again in the late 70’s when re-issued on white vinyl. But, I also bought it on cassette so I could listen to my player on my headphones at night when I went to sleep. Needless to say, I also own the White Album on CD, meaning I have purchased the rights to listen to Dear Prudence no less than four times.
And, now, in order to stream the White Album on Spotify, I have to pay a fee to listen again?
OK, so you could say the music moguls saw me coming, and it is not that I am against streaming or using my IPhone as such.
My old IPhone 4 had 1300 songs on it from all over the map, and that made for some killer streaming, but when I upgraded to the IPhone 6, I lost three-fourths of what was on my playlist for one technical reason, or another (never that I had not purchased the rights: more like I am too lazy to put the album information in anywhere).
But, I also have TuneIn radio, and stream KTKE and KEXP so I can listen to what I want when I want.
Lindsay, however, says all this will be wrapped into one nifty package–sans commercials–and that we can share playlists and songs without having to burn anything.
OK, that sounds like fun, but, how long till I have to switch when something falls out of favor (Napster or MySpace, anyone)?
I probably will wind up subscribing just to make life easier, and well, I love the fact that in Lindsay I simply have someone in the family who loves music as much as I do, so this is a small price for sharing something so wondrous.
Also, though I am getting older, it is not like I don’t want to grow or change, or stay open. After all, when I returned to the golf links after a 40-year layoff, I played in high top cons for over six months. My friends all said I should get some cleats, but I waved that off as such an affectation.
“When the grass is wet,” I was cautioned, you will see.
Sure enough, one fall morning I hit a tee shot on a par 3 into one of the bunkers guarding the green. It had rained a little, and the bunker was muddy, and as I stepped in to get ready to make my shot, I slipped.
I was able to catch my balance, and did not fall, but my planted left hip and leg, which was anchored, got tweaked and bothered me for two weeks.
The next day I bought cleats, and when Diane asked me why, suddenly, I said “I am getting older. I understand at my age if you break your hip in public, they just shoot you in the head where you are and leave you there.”
As Elvis Costello said: “Don’t bury me cos I’m not dead yet.”
Los Punks, We Are All We Have is a film about the punk rock scene in the Hispanic communities of East and South LA.
No judgement on the music, I haven’t heard it yet, but what interests me is the language of community and shared support for the outcasts, which turned out to be a serious message of the original punks (though I’m pretty sure none of them set out to promote that). But it happened. (Maybe in the second wave, and the one after that.)
Hanz Krypt (or HANZ KRYPT) is rockremnants.com.
These guys had big ambitions in the mid 80s, and snagged the lead vocalist from Vermin. The future was written.
Things didn’t work out that way. They’ve posted their elpee on YouTube and it isn’t totally outlandish to call them the American Black Sabbath. That’s how good they sound.
Here’s their YouTube bio:
The band Hanz Krypt was formed in 1984 by bass player Mark Hayes and guitarist Phil Pedritti along with Larry Farkus on guitar. They were soon joined by vocalist Vincent Farrentino who left the band Vermin to join Hanz Krypt. Hanz Krypt has been called the American Black Sabbath. Although they do have a doom and gloom sound, they really sound like no one else.
The band performed throughout Southern California opening for such major acts as Foghat, Robin Trower, and Slayer. Along the way built a strong following and were friends with Metallica, Slayer, and Saint Vitus. Now 20 years later the band has reunited with all original members. The band is set to record a new CD and tour throughout the world. Hanz Krypt look forward to a very exciting new year please check us on Facebook and Youtube.
On the other hand, their most popular song, Rainbow Goblins, isn’t a hit by any means. And the sound of their album isn’t that good. On the other other hand, it sounds pretty rockin’. And I love the stills that make up the video.
The better story here is that a band of rockers, in 1984-1986, find themselves 30 years later, commenting on YouTube about all the hot new stuff they’re going to release. Bring it on!
I don’t mention this to mock their commitment, though objectively it is probably misguided, but to celebrate their sound and embrace of the rock. I love finding a band like Hanz Krypt, a band with history and a big sound, then learning more about those who love them and their sound.
More live video please, Mr. Hanz.
Why not get rid of the guitar? Do you really need it? Lyrics, too.
These guys also get rid of the stage. They’re like subway musicians beating on joint compound containers, though louder. Much louder.
The singer, who is busy drumming, sewed a microphone into his face mask, so he could go hands free. And I can only hope I’ll stumble upon them in the subway some day..
This is from a show in France in 2008. I found it on a raging website called weirdestbandintheworld.com. Lightning Bolt ranked 94th.
This clip is from a live show the Cramps did at the California State Mental Hospital in Napa in 1978. I found it in a blog post about the excellent music that has come from Ohio over the years. This is kind of funny because a few days ago my daughter played me some music by a band called Twenty One Pilots. They play in that style of modern rock that has a huge drum sound but no guitars, is sometimes rapping and sometimes singing, and lots and lots of added noises from various machines, which means they don’t really rock at all. But they’re from Columbus, Ohio. I asked her if she knew that and she said she didn’t care. I’m not sure why I do.
I was stumbling around the television channels on Friday, in search of something funny or challenging, or even both.
As documented here before, I am a big fan of the Cartoon Network’s night time adult diversion, Adult Swim, which presents the most cutting edge/satire/intelligence of any station anywhere.
One show I love on Adult Swim is “Squidbillies,” which features the incorrigible Early Cuyler, a red neck squid who lives with his son, Rusty, Grandma, and sister Lil in the Appalachians where he makes meth and white lightening from pine cones while the family purports to supply “peanuts and hairdoos.”
It is pretty irreverent and good fun (if you watch, check the different hats Early wears).
Well, Squidbillies has a pretty good alt country theme song, and lo and behold, when I watched Friday, I heard Lucinda Williams singing the theme.
So, here is that:
But, in search of Lucinda on YouTube, I found this great little jam that features Hayes Carll, Jimmie Dale Gilmore, Unknown Hinson, Rhett Miller, Bonnie “Prince” Billy, David Rawlings, Todd Snider, Gillian Welch and Lucinda Williams and that was also on one episode.
If that wasn’t enough, I then found “A Night at the Opera” on TCM, , and though I have seen it a lot (I am sure more than 50 times) it still kills me (all their movies do).
But, I thought this great clip of Chico (and his very long fingers) doing his nominal piano thing made it more than worth presenting his rendition of “All I do is Dream of You.”
And he explains why. He doesn’t go on too long about it, either. And I think he nails it, though he could have said more and been even more right. Like, how come all those White Stripe tunes have all those tempo changes, which mean they’re not much good for dancing or getting down to it on the bedroom floor? But this guy says enough.
Not sure it makes sense to blame Jack for this (which is growing on me after a few listens):
RotoWire has graciously asked me to participate in the up-to-now Erickson/Liss Charging The Mound stream of consciousness blog and I’m doing so. Chris Liss has been mentioning this when I talk to him for a while (he posted it in this week’s blog) and it’s just too good to not post everywhere possible: