Here’s that band again and that album again. I think you could do the same dance to this song too.
Shirley Ellis, Nitty Gritty
Fun novelty tune from Ellis, who also did the bewitching and irksome Name Game, but a mesmerizing dance video as well, like a kaleidoscope with swing. Thank you, Walker, for the hat tip.
Song of the Week – People Make the World Go Round, The Stylistics
IGNORED OBSCURED RESTORED
The Stylistics were one of the best soul groups of the early ‘70s. They scored numerous hits that crossed over to the pop charts on the strength of lead singer Russell Thompkins Jr.’s falsetto, the work of ace producer Thom Bell, and the songwriting by the team of Bell and lyricist Linda Creed. Between 1971 and 1974, they charted an impressive series of consecutive R&B Top 10 hits, including:
Stop, Look, Listen (#9 R&B, #39 Pop)
You are Everything (#10 R&B, #9 Pop)
Betcha by Golly, Wow (#2 R&B, #3 Pop)
I’m Stone in Love with You (#4 R&B, #10 Pop)
Break Up to Make Up (#5 R&B, #5 Pop)
You’ll Never Get to Heaven (#8 R&B, #23 Pop)
Rockin’ Roll Baby (#3 R&B, #14 Pop)
You Make Me Feel Brand New (#5 R&B, #2 Pop)
The best was 1972’s “People Make the World Go Round” (#6 R&B, #25 Pop), today’s SotW.
Bell and Creed’s orchestral style was often reminiscent of the Bacharach/David team. (Dionne Warwick probably agreed since she popularized so many Bacharach/David songs and also recorded a hit with the Bell/Creed penned “You’ll Never Get to Heaven.”) The similarity is especially evident in “PMtWGR,” with its use of mixed time signatures.
The track also follows the early ‘70s trend originated by Marvin Gaye and Stevie Wonder to write songs that reflected social issues of the day; in this case, addressing inner city issues like garbage and bussing strikes, and air pollution.
Trashmen didn’t get my trash today
Oh, why? Because they want more pay
Buses on strike want a raise in fare
So they can help pollute the air
The story behind this song’s chart success is that it was originally an album track, not intended for release as a single. But so many fans demanded radio airplay that the label rushed the record into release as a single. That was a good decision!
Enjoy… until next week.
Here’s Something You Don’t See Every Day
A girl playing the Highway Star guitar solo in her underwear on the dining room table.
Those crazy kids. . .
Classic Nuggets: Paul Revere & the Raiders, “Sometimes”
I am not sure why Sometimes of all songs from my past popped into my head the other day. I think someone asked me a question, and I answered “sometimes,” and poof, there you go.
But, I am glad because I remember loving the shit out of this song when I bought Paul Revere’s third album Here They Come, though it was never a hit or even released as a single. It was covered later by The Cramps and The Flamin’ Groovies, however.
The Raiders were certainly a hot band in 1963. I saw them twice in the early 60’s opening for the Beach Boys (whom I actually saw six times and was in attendance August 1, 1964 when Beach Boys Concert album was recorded) and with music and television growing, The Raiders became a house band on Dick Clark’s Where the Action Is, his follow-up to Bandstand aimed at the next generation of pop music kids.
But, talk about an advanced sounding song, recorded in 1965, Sometimes was produced by Terry Melcher. Melcher was a principal producer for Columbia Records at the time, and was the son of Doris Day. Melcher had a band–The Rip Chords–who had an early 60’s hit (Hey Little Cobra) and as part of Bruce and Terry (Here Comes Summer).
Bruce, was Bruce Johnson who eventually became a member of the Beach Boys, but Melcher also was tied to Charles Manson. Melcher rejected Manson’s audition tapes, clearly pissing Manson off. Melcher had owned the home where the Tate-LaBiancha murders took place, but (obviously) did not live there any longer when Manson’s minions did their dirty work.
Rumor has it that some of the recording of Here They Come was performed by The Wrecking Crew, but Drake Levin probably did play the guitar and his solo is pretty hot. Levin was a pioneer with guitar pyrotechnics, having been among the first to double-track a solo on Just Like Me.
To me, however, Sometimes sticks out as an actual substantive song as opposed to a lot of what turned into the car song pop dreck that highlighted pop music, along with surfing, before the Beatles and Brit Pop rescued us. Nothing represents this pre-genre better than Hey Little Cobra.
Compare that to Sometimes.
And, will try to write here more often. The re-launch of Creativesports, and work on my latest book have distracted me!
Christian James Hand Breaks Down AC/DC’s Let There Be Rock
I learned about this from a Facebook post by my friends Annastasia and Herrick. Hand went to school with Herrick.
Hand takes songs and breaks them down into their component parts. Haven’t heard anything like this before, and don’t know how the he gets to the individual tracks, but it’s pretty neat. Here’s the show:
https://audioboom.com/posts/6503846-studio-session-on-fhf-let-there-be-rock-by-ac-dc-11-20-2017
Here’s the whole song.
Song of the Week – These Days, Nico, Gregg Allman, Ian Matthews, Mates of State
IGNORED OBSCURED RESTORED
One of my favorite artists in the singer-songwriter genre is Jackson Browne. I know, in these times when women are fighting to save themselves from sexual assaulters, coming out to pay tribute to Browne might not be politically correct. (He was accused of domestic violence against his then-girlfriend Daryl Hannah, since retracted – but the damage has been done.) I’m focused on the quality of his songs, not his personal life. Besides, he has been a solid citizen throughout his life, fighting for the environment and many other political causes that are important to him (and me).
Early in his career, his songs were recognized as gems by many prominent artists that recorded them long before he did. The list includes Tom Rush, Joan Baez, The Byrds, Eagles and Linda Ronstadt.
Today’s SotW is another installment of the “evolution” series, “These Days,” that is such a wonderful composition that it has been captured in outstanding performances by many artists.
Browne wrote “These Days” when he was about 16 years old. The first recording was done by Nico of the Velvet Underground on her solo album, Chelsea Girl (1967). Browne, who was at the time linked romantically with her, played electric guitar on the track.
Another outstanding version was laid down by Gregg Allman on his first solo album, Laid Back (1973). Browne himself said of Allman’s arrangement “that he really unlocked a power in that song that I sort of then emulated in my version.”
Allman learned the song when the pre-Allman Brothers band The Hour Glass was plying their trade in LA. His bluesy voice wrings out every drop of emotion that the song’s lyrics of sadness and regret have to offer.
Another fine version was recorded about the same time by Ian Matthews on his 1973 release Valley Hi – an album that Rolling Stone called “a sensuous delight.”
Matthews’ take has a little more of a pop feel, but still retains the song’s disconsolate sentiment.
A more modern approach was recorded by Mates of State. I prefer the live-in-studio track they cut for Daytrotter in 2006, but it’s not available on YouTube. So here’s the officially released version that was on the soundtrack to the film Wicker Park.
Mates of State are a husband and wife duo from CT via CA via KS. The simplicity of their keyboard, percussion and harmony version is charming.
Browne finally recorded his own version on his second album, For Everyman (1973). What else can I say about “These Days” other than it ends with one of the most poignant lines EVAH!
Don’t confront me with my failures / I had not forgotten them
The self reflective tone of the lyrics of “These Days” seems especially relevant as we near the year end.
Enjoy… until next week.
Those Darlins, Be My Bro
Nashville indie gals have a pretty sweet catalog. Lots of country, lots of sass and cleverness. Like this. If I walked into a bar and found them I would be overly enthusiastic and glad.
Song of the Week – Plimsoll Punks, Alvvays & Crash, The Primitives
IGNORED OBSCURED RESTORED
I always have a running list of song ideas for my weekly missive. “Crash” by The Primitives has been on it for a long time. I can’t really put my finger on the reason that I haven’t written about it sooner. But my inspiration to catch up comes from another band I’ve been listening to – Alvvays.
Alvvays (pronounced Always) is an outfit from Nova Scotia that’s now based out of Toronto. They released their second album, Antisocialites, last September. The SotW is “Plimsoll Punks.”
The first time I heard this burst of indie pop my mind began swirling with the antecedents that I was hearing in Alvvays sound. I heard Camera Obscura, a bit of Cocteau Twins and a super-sized serving of the Primitives.
There we go!!! I now have the connection I was looking for to include “Crash.”
The Primitives made a splash in 1988 with their album Lovely. Beside “Crash” the album had another song, “Way Behind Me,” that snatched a lot of airplay on indie and college radio stations.
Merry Christmas!
Enjoy… until next week.
Eno and Rick Holland, Bless This Space
Came upon this lead track from a 2011 album (Drums Between the Bells) these two guys (Holland is a poet) made. Arty as all get out, but man it sounds good. That is a fantastic guitar solo.