Siouxsie and the Banshees, The Passenger

Saw I, Tonya tonight. It’s well worth seeing, a grand entertainment, as they say, in a theater. On TV it will look like something that elected Trump.

The closing credits are this Iggy Pop song by Siouxie and the Banshees, which is worth a listen.

Though in all fairness, we should also link to the original. Well, not recording, but amazing live performance.

 

Girl Ray, Trouble

Pitchers and catchers today.

Courtney Barnett and Kurt Vile, Over Everything

I’m not overselling this, but I find this very likeable. It sounds good.

#notanthemic

Chris Stapleton and Sturgill Simpson

While we go afield, here’s a tune from Saturday Night Live a bit ago.

Chris Stapleton is the biggest rock guy in country music. Think music.

Sturgill Simpson is the songwriter of country life. Think words.

Here the two of them offer awesome guitar solos, and a classic country theme. On Saturday night TV.

I’m glad to have heard it. And won’t ever likely hear it again.

Sturgill Simpson, You Can Have the Crown/Some Days

A few years ago I heard about this country songwriter named Sturgill Simpson. In recent years what I’ve heard from him has been clever and smarty, and not that interesting.

But this clip, from 2014, is surely the reason folks have been talking about all his talent. This is good stuff, if you like this stuff.

 

The Dead South, In Hell I’ll Be In Good Company

Clever video. But simple.

Simple song. But maybe clever. The lyrics seem to show a dark murder ballad, though I didn’t get that on first listen.

Whatever. Somehow this cute video and folkish trad song has scored 44 million plays on YouTube. That’s huge, it is real money, and it comes from Canadians into bluegrass, even if the music isn’t bound by genre exactly.

More power to them. This isn’t rock, but if these folks can earn green on this fine but totally uncommercial song, I’d say they’re successful remnants.

Also, good title and band name. Especially for northerners. Maybe not as good as The Band.

Tullycraft, SuperBoy + SuperGirl

From peak indie era rock of the 90s. Sounds like the Replacements. Or the Only Ones. Okay, not that good, especially when the energy goes away for no reason. But there’s some of this that sounds awfully good.

Isley Brothers, Summer Breeze

I was in a bar tonight with my friend Herrick. The bar is new, it’s called Bierwax. Bad name, right? Here’s a link to their facebook page: https://www.facebook.com/BierWax-269076593218456/.

What they do is sell 12 draft beers from local breweries you can’t get anywhere else. That’s the bier part. Plus a couple of handfuls of bottles, cans, and big bottles of craft beers.

They also have thousands of vinyl elpees on the wall behind the bar, and two DJ turntables on the back shelf. That’s the wax part.

No requests, it says plainly on the shelves of vinyl, and you can’t see what they have. So, you could say, Counting Crows please? And they would mock you.

Or rather, they would be as nice as they are, and they wouldn’t play any Counting Crows.

In any case, this tune came on at some point, and we were talking and didn’t hear the intro and the rather signature guitar line. Catching up in the middle, four plus minutes in, it gets wild enough you hope Seals and Crofts never heard it.

Why Must I Be A Teenager in Love with Music?

A NY Times writer explores Spotify data and finds that classic songs are generally most popular with people who were teenagers when the songs came out. We knew that, generally, but he has the numbers.

Hiss Golden Messenger on Letterman in 2014

I heard these guys and I went (a little) insane.

But I didn’t hear this. (It was 2014.)