Song of the Week – Baby Come Back, The Equals; Police on My Back, The Clash

Ignored            Obscured             Restored

In 1965 Eddie Grant (yes, the Grant of 1983’s “Electric Avenue”) was a founding member of one of England’s first integrated bands, The Equals.  The others in the group were John Hall, Pat Lloyd, and brothers Derv and Lincoln Gordon.

Beginning in 1968 they enjoyed some international success with a series of hit singles, including “I Get So Excited”, “Viva Bobby Joe”, “Black Skin Blue Eyed Boys”, and their biggest hit “Baby Come Back.”

The ska-influenced “Baby Come Back” was originally the B-side to “Hold Me Closer” but proved to be much more popular.  It’s easy to see why.  “Baby Come Back” is simple, but irresistibly catchy.  It rose to #1 in the UK though it barely crashed the Top 40 in Billboard in the US.  Dig the opening, fat string guitar riff, and the way they build tension by repeating the final word of each verse as they ascend into the chorus.  And listen carefully for the addition of a syncopated beatbox at the end.

Bonnie Raitt, no slouch when it comes to picking cool songs to record, covered “Baby Come Back” on the underappreciated Green Light (1982), which may be her most rock and roll album.

Grant penned another song for the Equals that was brought to widespread popularity in the form of a cover version.  The Clash released “Police on My Back” on Sandinista! (1980).

Enjoy… until next week.

Song of the Week – Stay Free, The Clash


The Clash’s eponymous debut was released in the UK in 40 years ago, in April 1977. But it wasn’t released in the US until July 1979 – and that was in a modified version that replaced 5 of the original cuts with 6 different ones.

As a result, many here in the US (me included) heard their second album – Give ‘Em Enough Rope, released in November 1978 – before the more critically acclaimed The Clash. But as is often the case, the first album we are exposed to by a band becomes our lifelong favorite. Often criticized for its “sanitized” production by American Sandy Pearlman who had previously worked with Blue Oyster Cult, GEER sounded good to me then and still does today.

Today’s SotW is “Stay Free.”

When I first heard “Stay Free” back in ’78 I thought it might be a song about the childhood relationship between Paul McCartney and John Lennon. That was way off base, but you can’t blame me for heading in that direction since “Stay Free” is the Clash’s most Beatle-y song.

It turns out this Mick Jones song is actually about his childhood schoolmate, Robin Banks. They became lifelong friends after getting sent to the headmaster after having an argument in class over who was better, Chuck Berry or Bo Diddley. The headmaster was so spitting mad that his jacket lapel ended up with gob on it. That hilarious situation and their mutual disdain for authority figures bonded their friendship.

Mick wrote the tribute to his old buddy when Robin was locked up for bank robbery.

He covers their childhood:

We met when we were in school
Never took no shit from no one, we weren’t fools
The teacher says we’re dumb
We’re only having fun
We piss on everyone
In the classroom

The bank robbery and related incarceration:

I practiced daily in my room
You were down the crown planning your next move
Go on a nicking spree
Hit the wrong guy
Each of you get three
Years in Brixton

It ends with a poignant love letter:

‘Cause years have passed and things have changed
And I move anyway I want to go
I’ll never forget the feeling I got
When I heard that you’d got home
An’ I’ll never forget the smile on my face
‘Cause I knew where you would be
An’ if you’re in the crown tonight
Have a drink on me
But go easy…step lightly…stay free

Then Jones rips into a guitar solo that captures the spirit of the young boys’ wilder days. It’s a beautiful thing!

Enjoy… until next week.