Lunch Break: The Seeds, “Pushin’ Too Hard,” and “I Can’t Seem to Make You Mine”

Good old YouTube.

It is like looking through the old Macmillan Baseball Stat book: You look up one number, and that leads to another and another and what started out as a search for Napoleon Lajoie’s (got it that time, Steve) best year for doubles (51 in 1910) winds up comparing George Brunet’s career WHIP (1.316) with that of Jamey Wright’s (1.545, pretty crappy for a former first rounder) three hours later.

My piece on the Syndicate of Sound led to Gene posting the Music Machine, and when I finished watching that, there was a link to the Seeds on a show called Shebang, which I think I remember, but am not sure.

I can say that I kind of liked the Seeds, but I can also say this is maybe the worst lip sync ever:

But, in typical stat searching style, that led to this video of 50’s pin-up model Bettie Page dancing, I guess suggestively, to another Seeds hit, I Can’t Seem to Make You Mine.

The song is ok, and for sure Bettie was hot (dark hair, bangs, and blue eyes are deadly. If I knew she was left-handed, and wore glasses sometimes a la Dorothy Malone in The Big Sleep, I would have probably spent my life savings trying to track her down) but for the most part the whole thing is stupid, and not really provocative (was it in 1966?  I doubt it.).

Breakfast Blend: Bob Dylan, “It’s Alright Ma (I’m Only Bleeding)”

Since Diane and I have been up in the mountains the past week, evening time has meant movies for the most part (don’t get me started on trying to stream the World Series or the NFL on a laptop or tablet or IPhone: to frustrating and worse than flying cos’ every keystroke costs something).

Diane had never seen the wonderful Martin Scorsese PBS film, No Direction Home, the American Masters documentary on Dylan covering his childhood up to the infamous Royal Albert Hall performance in 1966 (I still posses a vinyl bootleg that was called The Great White Wonder of the set).

What has always struck me about both the film as well as his autobiography, Chronicles, Volume 1, is what a normal guy Dylan seems to be despite all they hype and adulation and craziness that has surrounded the bulk of his career.

I particularly love the press conference scenes in the movie, like this one:

Anyway, Gene’s post on Louis, noting folk is not dead, sort of stirred it up in me as to just how amazing and prolific and ridiculously good Dylan was at everything folk before he led the charge to changing the rules and plugging in and pissing off the traditional folkies, for example, at said Royal Albert Hall gig.

There is a lot of footage in No Direction Home of Dylan at Newport in the early 60’s and he is just riveting, not just as a songwriter, but the dude is also a fantastic acoustic guitar player, and this showcases just how good he is!

KISS my Griffin

To say I feel guilty from having been so pulled away from here is sort of rhetorical.

And, I see posts of some great tunes being spotlighted (and there are some I wanna get out there too).

Life seems to be slowing, thankfully, but, while dozing off last night, the Family Guy where Lois and Peter go to a KISS-fest was on. So, funny.

Anyway, this clip is really the only thing out there worth displaying, but it is indeed pretty good (was thinking of you Steve:  maybe Perry is right and we should get a room?).

More to come. Miss you all.

 

Night Music: Frankie Ford, “Sea Cruise”

Cosimo Matussa also engineered/produced this one, which is just a perfect pleasure. I can remember the first time I heard it. I’d bought a compilation of early New Orleans music, curious about these oldies that weren’t on the radio. It was full of great tunes, but this is the one that beckoned over and over.

I got to boogie woogie like a knife in the back.