Song of the Week – Understand Your Man, Johnny Cash

Ignored           Obscured            Restored

I’m posting today from Newburgh, New York – my hometown – which makes today’s SotW especially appropriate.

When I was a kid, growing up in Newburgh, my dad owned and operated a roller skating rink called the Avalon.  Occasionally the building would be used to promote special events like professional wrestling (I remember Bruno Sammartino, Haystacks Calhoun and Gorilla Monsoon) and concerts.

The most famous person to perform at the Avalon was Johnny Cash.  In my adult life I was able to find references to his gig there on November 13, 1964, but I’ve never been able to find any memorabilia from the event.  I’ve scoured the internet for a poster, a bill or a newspaper ad for the show and always came up empty.  But I recently found these:

It turns out Cash did two shows that night – 7:00 and 9:30. In November ’64, he would have been at the tail end of promoting his I Walk the Line album (released in May 1964) and starting to promote Bitter Tears (October 1964).

One of the songs he must have played would have been “Understand Your Man” which held the #1 spot on the Billboard Country Charts for six weeks in the spring of ‘64.

As you listen to “Understand…” you will undoubtedly hear the resemblance to Bob Dylan’s “Don’t Think Twice, It’s All Right.”  This should be no surprise.  Cash and Dylan were connected from the earliest days.  They both listened to and respected each other’s music.  They first met at the Gaslight in 1963 and again at the Newport Folk Festival in 1964.

Cash openly admitted morphing “Don’t’ Think Twice…” into “Understand…”  He kept most of the melody, and lyrically turned another one of Dylan’s many put down songs into a Cash styled “my way or the highway” rant.

But the story goes even further.  Dylan’s song is itself a variation of a folk song by Paul Clayton called “Who´s Gonna Buy You Ribbons When I´m Gone” from 1960.  If you have any doubt about it listen to the lyrics to Clayton’s recording that contains the lines “T’ain’t no use to sit and wonder why, darlin” and “So I’m walkin’ down that long, lonesome road/You’re the one that made me travel on.”

And you can take that a step further – Clayton’s recording was an adaptation of a public domain folk song called “Who’s Gonna Buy You Chickens When I’m Gone,”

You can check them out on YouTube to decide for yourself if the lineage holds up.

Apparently there is a recording of a medley Cash and Dylan did of their two songs.  I have a bootleg of their session together but it doesn’t include the medley.  Darn!

“Understand Your Man” was the last song Cash ever performed in public, at the Carter Family Fold, Hiltons, VA on July 5, 2003.

Enjoy… until next week.

Song of the Week – Blackbird, Piggies, Rocky Raccoon, The Beatles

Ignored           Obscured            Restored

As I write this I’m aware the 50 years ago today, the Beatles were in Abbey Road Studios recording The Beatles, better known as the White Album.  Recording of The Beatles would eventually be completed on October 14th and it would be released on November 22, 1968, just in time to be placed under the Christmas tree for millions of adoring fans.

I love the White Album and will probably post about it again before the end of the year.  But I’ll start with today’s observation that it is the Beatles’ animals album.  Well what the hell does that mean?

There are four songs on the album that specifically mention an animal in the title:

Blackbird

Piggies

Rocky Raccoon

Everybody’s Got Something to Hide Except for Me and My Monkey

Martha My Dear was written about Paul’s sheep dog, but does not explicitly mention it in the lyrics.  However, there are several other songs that do mention animals in the lyrics.  “He went out tiger hunting with his elephant and gun…”  “She’s well acquainted with the touch of the velvet hand like a lizard on a window pane…”  And several more.  Go find them.

Today’s SotW are the three that were presented all in a row on Side 2.

Enjoy… until next week.

Song of the Week – Onion, Shannon and the Clams

Ignored           Obscured            Restored

Shannon and the Clams is a band based out of Oakland, CA that played the Outside Lands festival in San Francisco last night.  Next, they’re off to Europe.

The band is shaped around songwriters Shannon Shaw (bass/vocals) and Cody Blanchard (guitar/vocals), and supported by Nate Mahan (drums) and Will Sprott (keyboards), 

Their latest album, Onion, was released last February.  I’ve been listening to it a lot.  If you think you would enjoy a modern take on ‘60s girl group music, you need to check them out.

Onion was partially inspired by the December 2016 fire at the Ghost Ship warehouse in their hometown that took the lives of 36 people.  This touched the group deeply because the Ghost Ship was a haven for local artists and musicians – and was a place that Shannon and the Clams had performed.

It was hard to decide which cut to feature as today’s SotW, but I settled on the title track.

“Onion” contains all of the elements that make me a fan of Shannon and the Clams’ music.  It’s part Del Shannon, part garage rock (fuzzed guitar), part soul, with a power pop twist.  It straddles the space between the campiness of The Cramps and the oldies covers recorded by Blondie (“Denis Denis” and “I’m Gonna Love You Too”).

The lyrics to “Onion” are simple, but interesting – dealing with the “layers” of personality of those afflicted with mental illness.

Well I’m working on it
Holy shit I avoid so many problems
Holy shit this isn’t it
No one told me I was just an onion
I’m just a kid oh so I thought
Please doc, make it stop
Let me go home
I’ll keep working on it
But I’ll be gone before I peel this old onion

But the music keeps the tragic lyrics from becoming depressing.  You may still want to dance to it.

Onion was produced by the omnipresent Dan Auerbach (Black Keys), at his Nashville headquarters.

Enjoy… until next week.

Night Music: Tinariwen, “Sastanisqqam”

I apologize, again for any absence of contributions of late, but I am working on this book (third rewrite) and trying to drive some decent mileage to my site (lawrmichaels.com gets you there!) and help Diane with her dog walking business.

And, of course I am still playing in the band, though I quit the Biletones around Christmas time. But, cooly, my pals drummer Nick Bell and songwriter/singer/guitarist Tom Nelson wanted to keep playing with me.

So, we formed a new band called Jackknifed Big Rig. We are already playing out, in fact there is a pretty good vid of us I will post shortly in the new configuration.

Anyway, I was at my guitar lesson the other day, and after 20 years, Steve Gibson, my master and I talk about a lot of stuff in addition to playing scales and licks and such. A lot of music theory discussion, and engineering, and sharing of ideas and songs and bands and such.

Well, a couple of weeks ago Steve saw these guys at a nice little Berkeley venue, and he turned me onto them. And, just the visuals–traditional middle eastern garb, mixed with sand and camels and Gibson SGs played upside down and backwards–are great.

But, these guys are really good. I mean, really good. Check out these tunes and tell me if you can resist…

This one has a killer vid!

Graham Parker and the Rumour, Mercury Poisoning

He’s pissed. The sound isn’t great, but the spirt is clear.

Here’s the original version. Better sound, and you can get the lyrics if you click through YouTube.

Looking at the picture sleeve, which I think I have a version of, the A-side was I Want You Back. How about that cover?

 

 

Nico, 1988

I saw this new film last week with friends. None of us knew much about the film, it had just opened, but it was Nico, about whom good books have been written, and who sang three songs on the first Velvet Underground album (the banana one). We knew that Lou Reed hated her, that Andy Warhol added her to his house band perversely, and our favorite song of hers was a cover of Jackson Browne’s melancholy These Days. Rael thought the trailer was a stinker.

But the movie was very good. Most notably, Trine Dyrholm acts and sings as if she’s living the part of the mordant junkie who can’t help but talk about how she feels and why she lives. But the movie makes excellent narrative choices that pile up, like leading with Nico’s These Days, and then moving on to her much broader music made in an atmosphere of chaos and imprecision.

This review on Slate by Carl Wilson does a good job of explaining the film, and puts it into the context of many other movie bio pix that don’t follow the form of Ray and Walk the Line. Read that, see the movie, and I’ll leave you with this. Not a spoiler, but a game changer in the film’s narrative, surprisingly enough.

 

Graham Parker, You Can’t Take Love For Granted

I think the first four Graham Parker albums are first rate. He made two monumental R+B elpees with the great Rumour, and Squeezing Out Sparks is tuff New Wave when that had to be the choice (if you wanted be heard).

The Real Macaw was the point of my departure. Not because the songs aren’t strong, but at some point a songwriter’s best stuff is used up.

But listening to this all these years later, this is an ambitiously universal song about love and how those you love will fuck you over. And you have to be brave if you want to have anything. Too long, for sure, but it eclipses all sorts of shorter tunes that ask much less of us.

I like it, but all I want to say is listen to Heat Treatment and Howlin’ Wind. Turn it up loud. It is rarely better.

Song of the Week – I Love You, People

IGNORED OBSCURED RESTORED

“I Love You” was a great British Invasion influenced song by the San Jose based group, People. This song gets filed in my “restored” category. I heard it on the radio recently and said to myself “Damn, I like that song and haven’t heard it for years!” So I present it to you today.

It was written by Chris White, who was the bass player for The Zombies. In fact, it was originally released by The Zombies in 1965 as the B-side to “Whenever You’re Ready.” Coincidentally, the cover version by People was also intended as the B-side to their single “Somebody Tell Me My Name.” But the DJs, audience and record buyers felt differently about it and pushed the B-side onto the charts.

“I Love You” reached #14 in the US in mid-1968. Wow, 50 years ago!

Larry Norman, often credited as a pioneer in the genre of Christian Rock, was a lead singer in People.

Hopefully you have the same reaction as I when you hear this song.

Enjoy… until next week.