I have not meant to be neglecting writing here, but truly, the last six weeks have been among the busiest of my life, with travels to Southern California, New York, the Sierra, and now Chicago.
But, it doesn’t mean I have not been thinking about what to post here.
I have indeed been peppering a lot of golf in my daily mix of stuff, no matter where I am, but especially when home and in my car, I have been enjoying listening to spacier, more reflective rock, just because it sort of seems to relax me for the mental challenge of whether to use a driver or a three-wood on a particular hole.
As part of this troll, El Dorado, Electric Light Orchestra’s really great album from 1973 has made the mix. When the album came out, it quickly shot to my favorite list, where the disc remained until the late 70’s when punk took over everything rock and roll for me in the best possible way.
I listened to El Dorado here and there to see if any magic remained but it was sort of like watching Gone with the Wind and its outdated and hopelessly romantic view of the South, racism, and slavery. As in, it just didn’t do it.
I don’t really know what prompted me to reclaim El Dorado out of the huge stack of CD’s I have, but I found myself first sticking the disc into the player, and then humming along to songs I really did know by heart.
So, I really did rediscover the whole thing in a good way.
Now, I get if the strings Jeff Lynne stuck into his band are not your cup of tea, and, well, if you watch the video, I am not sure if we will ever get over the hair and clothes from the 70’s (I doubt I ever wore any of that shit, being a devotee of jeans and tennis shoes pretty much my whole life, but it does sort of hurt to look) but, make no mistake, Lynne is a rocker at heart.
We all know his treatment of Chuck Berry’s Roll Over Beethoven and I think the Move’s original Do Ya is as killer a cut as exists.
But, this little ditty from El Dorado, Illusions in G Major, does indeed show Lynne’s roots are indeed with the Chuckster. Strings or not, they kill it.
I’ve always found it easy to disdain ELO and at the same time like a lot of their songs. I didn’t know this one, which is certainly based on some Chuck Berry. I don’t mind the strings, but I miss the backbeat. It isn’t groovin’ it, to my ear.