Frank created a book of photographs called The Americans back in the 50s. It’s a terrific book of strikingly straightforward and revealing images full of, um, Americans. Jack Kerouac wrote the introduction to The Americans, an obvious choice at the moment On the Road ruled the world. Kerouac also wrote and narrated Frank’s first film, a shambling tale of New York City’s bohemian lives, called Pull My Daisy. You can view it here. Frank, of course, took the photos that made up the collagey cover of the Rolling Stones Exile on Main Street. Frank also made a tour documentary with the Stones at about the same time. It is called Cocksucker Blues and the Stones, who have said they thought the film was excellent, sued to keep it from being released because its explicit sex and drug scenes were too much even for them. A deal was reached that allowed Frank to show the movie five times a year provided he was in attendance. I remember one year leaving the Rolling Stone magazine Christmas party early to see the film at the Anthology Film Archives on the Lower East Side of Manhattan. You can find the film in pieces on You Tube, from time to time. Frank clearly wasn’t policing the copyright, nor were the Stones, as evidenced by this music video that uses some of the film. Frank also made some dramatic films that drew notice, though the only one I saw was a shambling road picture featuring a who’s who of cool rock dudes in the late 80s (I’m talking guys named Johansen, Waits and Strummer, plus Leon Redbone). This seems to be the whole film with German titles. Final bonus video with Frank’s Super 8 film of the Stones.